brings to the cinema an aesthetic that already lived on the internet as an art of discomfort. Endless corridors, artificial lighting, and oppressive silence create a narrative in which space itself becomes a character. The work transforms the fear of emptiness into a visual language, engaging with contemporary culture and the idea of the non-place. More than horror, Backrooms proposes a sensory experience, where absurd architecture reflects modern anxieties and reveals beauty in estrangement.)
